The
Legend of the Jadecats begins a long time ago, in the lost land
known as Jalí. Most say that it
was rooted in ancient China, or an island nearby. Others say Indonesia
or Malaysia. The truth is, no experts have ever found evidence
that such a land ever existed, but stories and tales of adventure
have been passed down through the ages with passion, awe, and
curiosity. Although you can be assured that curiosity couldn't
kill these cats.
Actual
Chinese mythology holds that the legendary Jade
Emperor invited the twelve greatest animals of the land to
his coronation and told them that, through a great race, they
would be honored in the ceremony. RAT was not invited. Upon discovering
this, RAT became jealous and incensed. He intercepted and stole
the invitation intended for CAT. On the day of the race, shrewd
RAT rode lazily on the nose of the OX and leapt from his perch
to be the first one to greet the Jade Emperor and win the race.
CAT was left sleeping, oblivious to the momentous occasion. The
twelve animals (RAT, OX, TIGER, RABBIT, DRAGON, SNAKE, HORSE,
GOAT, MONKEY, ROOSTER, DOG, and PIG) were honored according to
their finishing place in the race by becoming immortalized in
the Chinese Lunar Calendar. This explains RAT as the first in
the Zodiac cycle and CAT's exclusion altogether (and the resulting
animosity between CAT and RAT).
So
far, this is documented Chinese Mythology. Here is where the line
blurs between Chinese folklore and the imaginative fiction of
the Jadecat tale...
Later,
CAT found out about the ceremony and ventured to the Emperor's
palace, not to claim her place but to save the Emperor from the
infamous treachery of the RAT. She crept into the Jade Palace
and caught the RAT stealing the Emperor's gold and delicacies.
She returned the valuables to their proper place and left RAT
unconscious by the foot of the Emperor's bed. As CAT was about
to humbly sneak out, without credit for the apprehension, the
Jade Emperor awoke and witnessed the valor of CAT. Although
it was too late to include CAT in the honor of the Lunar Calendar,
he instead made CAT his loyal sentinel and mystic guardian. RAT
was banished into exile.
RAT
was distraught and enraged and stormed from the palace into the
wilderness. He happened upon a haunted well (ghost legends are
elaborate and exciting in Chinese culture). A voice from the well
told frightened RAT to jump in. The voice in the well made strange
promises and wove visions of grandeur. With nothing to lose, RAT
jumped in. The next day, he emerged from the well as the Ratlord,
an enlarged, half-human/half-rat, possessed by the "Great
Moguai", an ancient demon of Chinese legend. He vowed to
take revenge upon CAT, destroy the Jade Emperor, conquer the realm,
and pervade the land with his minions of malice.
When
the Moon Princess (also the
Matron of Cats) learned of the ancient demon's awakening and incarnation
into the realm, she magically manifested herself in CAT, just
as the Great Moguai did with RAT. She vowed to protect the humans
from this demonic force that swindled its way from banishment
into the mortal realm. She appeared to the Jade Emperor as a giant,
winged tiger with jade green eyes. Moon Princess explained the
situation to him. They became a team, battling the Ratlord. What
she did not count on was falling in love with the wise, strong,
gentle-hearted Emperor. He too fell in love with her.
Once
it appeared that they had defeated the Ratlord, the Emperor convinced
her to become human. Without the blessing of her mother, the Moon
Goddess, nor the elder gods, she relinquished her immortality
and married the Jade Emperor. When the elder gods discovered this,
her curse for becoming mortal and marrying a human was that her
offspring would not be human. Instead, she had the litter of...
Jadecats. However, they were special creatures able to manifest
the best of both worlds - the world of the gods and the world
of humans.
Without
warning, however, Ratlord resurfaced with his demonic horde and
slayed the Jade Emperor and Empress. He then rose for a short
time as a bestial tyrant of the land. When the other honored animals
of the Lunar Calendar learned of this, they petitioned to the
gods. The gods decided to grant each of them Lord status over
their animal brethren, making them humanoid in appearance, and
powerful enough to keep the Ratlord from unbalancing the power
of the land. Thus, the Beastlords
were born. However, the gods were still annoyed with the decision
of the Moon Princess and Jade Emperor. The gods decided it would
be their legacy that was responsible saving the human race. That
legacy was the Jadecats.
During
the attack of the Ratlord, a loyal manservant to the Jade Emperor
managed to flee with the young Jadecats and hid them in a secluded
mountain monastery. Warrior
monks who recognized them as the legendary Jadecats of prophecy
raised them, knowing they would save the realm from the demonic
Ratlord. So the monks trained the Jadecats in Kung Fu and helped
them to manifest their mystic powers, a power over one of the
five Chinese universal elements. They also realized that the Jadecats
were demigods and thus partly immortal. They each had nine lives.
So
the show tells the tale of the Jadecats, the Beastlords, and the
Land of Jalí. The adventures are filled with exotic culture,
mystic legends, sizzling action and mysterious intrigue. It is
a story that cannot go unheard.
The
world in which the Jadecats reside is known as Jalí, a
dated setting that is vaguely reminiscent of ancient China. However,
there might be scenes that look like medieval Europe, colonial
Hong Kong, or even India or Malaysia. Occasionally, Japanese,
Tibetan, and other Asian folklore will also sneak their way into
episodes rounding out the whole exotic experience.
There
are no signs of modern technology or references to modern day
life. The town where most of the activity centers is called Vinchi.
The leader of the community, Baron
Lee, is also the father of Tai
Ni, a recurring secondary character. The human villagers revere
the Jadecats as their heroes and there is a natural acceptance,
albeit a fearful one, of magic. Unfortunately, the authorities
consider the Jadecats to be mutant vigilantes. Mystical creatures
such as dragons and ghosts are common
in Chinese folklore. Along with the Beastlords and the Immortals,
they will often be guest characters on the show.
The
Jadecats themselves have nine lives. They have forgotten how many
lives each has left, so they are constantly vigilant. Their lives
are expended by "near-death experiences". This will allow for
brave sacrifices without the need for deus ex machina, but at
the same time tension will be created as they count down the last
of their lives.
The
Jadecats dwell in a secret fort known as the Kune.
It is actually built into a large tree, like a pagoda and a tree
meshed together. The Ratlord and his minions live in an elaborate
and nefarious underground tunnel system known as the "Rats
Nest".
The
Jadecats show is a high-concept cartoon series. The Kung Fu fighting
is one of the highlights of the show. The "camera angles"
and the highly-stylized movements are indicative of Hong Kong
action cinema, right down to the variation in fighting style and
nuance from character to character. Visually speaking, I see it
perhaps as its own crossbreed between Anime and Disney-style animation.
There
is a fast pace to the rhythm, with a light techno soundtrack in
the background, sped up and intensified during the fighting scenes.
Each
episode begins and ends with a brief prologue
and epilogue from the Bearded Ghost.
He narrates a foreshadowing in the beginning of the episode and
delivers a principle or teaching at the end like a Zen koan.
The importance of this highlights Paul Giada's interest in children
and his passion for enlightening adolescents, cultivating world
interests, and facilitating moral positivity in the youth of today.
It
is also important to mention that, as a cultural enthusiast and
master of Kung Fu, Paul Giada could also
serve as a technical advisor, style authenticator, and research
consultant for episodes that he does not happen to write.
Also,
viewers make note that the illustrations and trailer animation
are not the actual visual renditions and animation for the show.
They merely serve as a visual key through the door of imagination.
They are simply something to give interested parties an idea of
the characters and setting of the show and to show the seriousness
of our intent to make this vision a reality.
