This website serves as an online pitch for the animated TV show, The Jadecats. It is strictly a promotional website, built specifically for showcasing
the concept, and does not represent the actual
rendition of the show. Both the website and the trailer
were created without a budget. With a budget to work
with, truly amazing things will happen. If you like
what you see and wish to speak with the producer for representation, financing, or network production of the show,
then please visit the Contact Page. We
are happy to provide any serious inquiries with printed materials for presentation at executive meetings.
Thank you for joining us!
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The Jadecats is a high-concept television
cartoon series targeted for the preadolescent market. The protagonists consist of five, feline, anthropomorphic superheroes that are versed in
dazzling Kung Fu skills, dashing
acrobatics, intimidating weaponry, and a pinch of elemental
magic. They defend the land from the evil Ratlord and his depraved, mutant minions.
The entire premise is based largely on actual legends of the Chinese
Zodiac and children's tales of magic and Kung Fu heroism. Accordingly,
each of the Jadecats is attuned to one of the five
elements of Taoist alchemy: Fire, Water, Wood, Earth, and
Metal. Their uniforms, weapon of choice,
personalities, and special powers all coordinate with their attuned element. Together, they undergo a variety
of entertaining and enlightening adventures for the whole family
to enjoy.
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The
Legend of The Jadecats begins long ago, in the lost land
known as Jalí. Many say the lost land was rooted in ancient China, or an island nearby. Others say Indonesia
or Malaysia. The truth is, experts have never uncovered evidence
that such a land existed. But stories and tales of adventure
have been passed down through the ages with passion, awe, and
curiosity.
Actual
Chinese mythology holds that the legendary Jade
Emperor invited the twelve greatest animals of the land to
his coronation. He told them that they
would be honored in the ceremony by participating in a great race. RAT was not invited. Upon discovering
this, RAT became incensed and jealous. He intercepted the royal courier and pickpocketed
the invitation intended for CAT. On the day of the race, shrewd
RAT rode lazily on the nose of the OX. Nearing the finish line, he leapt from his perch
to be the first one to greet the Jade Emperor and win the race.
CAT was left sleeping, oblivious to the momentous occasion. The
twelve animals (RAT, OX, TIGER, RABBIT, DRAGON, SNAKE, HORSE,
GOAT, MONKEY, ROOSTER, DOG, and PIG) were honored according to
their finishing place in the race by becoming immortalized in
the Chinese Lunar Calendar. This explains RAT as the first in
the Zodiac cycle and CAT's exclusion altogether (and the resulting
animosity between CAT and RAT).
So
far, this is documented Chinese Mythology. Here is where the line
blurs between Chinese folklore and the imaginative fiction of
the Jadecats tale...
Later,
CAT found out about the ceremony and ventured to the Emperor's
palace, not to claim her place but to save the Emperor from the
infamous treachery of the RAT. She crept into the Jade Palace at night
and caught the RAT stealing the Emperor's gold and delicacies.
She returned the valuables to their proper place and left RAT
unconscious by the foot of the Emperor's bed. As CAT was about
to humbly sneak out, without credit for the apprehension, the
Jade Emperor awoke and witnessed the valor of CAT. Although
it was too late to include CAT in the honor of the Lunar Calendar,
he instead made CAT his loyal sentinel and mystic guardian. RAT
was banished into exile.
RAT
was enraged at the judgment of Jade Emperor and stormed from the palace into the
wilderness. He happened upon a haunted well (ghost legends are
elaborate and exciting in Chinese culture). A voice from the well
told frightened RAT to jump in. The voice in the well made enticing
promises and wove visions of grandeur. With nothing to lose, in
jumped RAT. The next day, he emerged from the well as the Ratlord,
an enlarged, half-human/half-rat, possessed by the "Great
Moguai" (an ancient demon of Chinese legend). He vowed to
take revenge upon CAT, destroy the Jade Emperor, conquer the realm,
and pervade the land with his minions of malice.
When
the Moon Princess (also the
Matron of Cats) learned of the ancient demon's awakening and incarnation
into the realm, she magically manifested herself in CAT, just
as the Great Moguai did with RAT. She vowed to protect humans
from this demonic force that swindled its way from banishment
into the mortal realm. She appeared to the Jade Emperor as a giant,
winged tiger with jade green eyes. Moon Princess explained the
situation to the Emperor. Together, they became a team, battling the Ratlord and his minions. However, she did not count on falling in love with the wise, gentle-hearted Emperor. He too fell in love with her.
Once
it appeared that they had defeated the Ratlord, the Emperor convinced
her to become human. Without the blessing of her mother, the Moon
Goddess, nor the elder gods, the Moon Princess relinquished her immortality
and married the Jade Emperor. When the elder gods discovered this,
her curse for becoming mortal and marrying a human was that her
offspring would not be human. Instead, she had a litter of...
Jadecats. However, they were special creatures able to manifest
the best of both worlds - the world of the gods and the world
of humans.
Without
warning, however, Ratlord resurfaced with his demonic horde and
slew the Jade Emperor and Empress. In the aftermath, Ratlord rose as the bestial tyrant of the land. When the other honored animals
of the Lunar Calendar learned of this, they petitioned to the
gods. The gods decided to grant each of them Lord status over
their animal brethren, making them vaguely humanoid in appearance, and
powerful enough to keep the Ratlord from unbalancing the power
of the land. Thus, the Beastlords were born. However, the gods were still annoyed with the decision
of the Moon Princess and Jade Emperor. The gods decided it would
be the offspring
of the Moon Princess and Jade Emperor that were responsible for saving the human race. Thus, the legacy of The Jadecats was born.
During
the vengeful attack of the Ratlord, the Jade Emperor's loyal manservant
managed to flee with the young Jadecats and hid them in a secluded
mountain monastery. Resident warrior
monks recognized them as the legendary Jadecats of prophecy. They
raised the Jadecats in the monastery, knowing they would someday save the realm from the demonic
Ratlord. The monks trained the Jadecats in Kung Fu and helped
them to manifest their mystic powers—a power over the
five universal elements. They also realized that the Jadecats
were effectively demigods and thus partly immortal. They each had nine lives.
So
the show tells the tale of the Jadecats, the Beastlords, and the
Land of Jalí. The adventures are filled with exotic culture,
mystic legends, sizzling action and mysterious intrigue. It is
a story that must be heard.
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The
land in which the Jadecats reside is known as Jalí. It's an antiquated setting, vaguely reminiscent of ancient China. It could be the legendary Penglai Island. However,
there might be scenes that look like fairy-tale Europe, colonial
Hong Kong, or even India or Malaysia. Occasionally, Japanese,
Tibetan, and other Asian folklore will also sneak their way into
episodes, rounding out the whole exotic experience.
There
are no signs of modern technology or references to modern day
life. The town where most of the activity centers is called Vinchi.
The leader of the community, Baron
Lee, is also the father of Tai
Ni—a recurring secondary character. The human villagers revere
the Jadecats as their heroes and protectors. There is a natural acceptance,
albeit a fearful one, of their magic and magic in general. Unfortunately, the authorities
consider the Jadecats to be mutant vigilantes.
Mystical creatures
such as dragons and ghosts are common
in Chinese folklore. Along with the Beastlords and the Immortals,
they will often be guest characters on the show, such as Muhammad's wise cat Muezza or Japan's Maneki Neko.
While the
Jadecats have nine lives, they have forgotten how many
lives each has left. So they're always vigilant. Their "lives"
are expended by "near-death experiences." This will allow for
brave sacrifices without the need for any deus ex machina. But at
the same time, tension will be created as they count down the last
of their lives.
The
Jadecats dwell in a secret fort known as the Guan.
It's actually built into a large tree, like a pagoda and an ancient oak
meshed together. The Ratlord and his minions live in a sinister underground tunnel system known as the "Rat's
Nest" with "Rat Lines" running under many of the regions.
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The
Jadecats show is geared towards a Saturday morning cartoon. Although tempered for a younger audience, Kung Fu fighting
is one of the highlights of the show. The "camera angles"
and the highly-stylized movements are indicative of Hong Kong
action cinema, right down to the variation in fighting styles and
bodily nuances from character to character. Visually speaking, it ought to be its own crossbreed between Anime and Disney-style animation. There
is a fast pace to the rhythm, sped up and intensified during the fighting scenes.
Each
episode begins and ends with a brief prologue and epilogue from the Bearded Ghost.
He narrates a foreshadowing in the beginning of the episode and
delivers a principle or teachable moment at the end—similar in fashion to a Zen koan.
The importance of this highlights Paul Robert Herman's interest in developmental psychology, the cultivation of world
interests, and the facilitation of moral encouragement in the today's youth.
It's also important to mention that, as an Asian cultural enthusiast and
Kung Fu expert, Paul Robert Herman could also
serve as technical advisor, style authenticator, and research
consultant for episodes that he doesn't happen to write or produce.
Also,
visitors to the website should make note that the illustrations and trailer animation
are not the actual visual renditions and animation for the show.
They merely serve as a visual key to the door of imagination, simply providing interested parties an idea of
the characters and setting of the show, as well as to demonstrate the sincerity
of our intent to make this vision a reality.
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